Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 273
... looks the character to perfection , as SHAKSPEARE has represented it ; and so do Messrs . YOUNG and KEMBLE theirs , with the exception of their respective ages , which ought to look the reverse of what they appear , for Cassius was an ...
... looks the character to perfection , as SHAKSPEARE has represented it ; and so do Messrs . YOUNG and KEMBLE theirs , with the exception of their respective ages , which ought to look the reverse of what they appear , for Cassius was an ...
Seite 287
... look of his eyes , in the quarrel scene . The attribute of authority belongs essential- ly to Brutus , and Booth made it impressively obvious . Such a look , doubtless , that of Betterton was , when he said , " For your life you durst ...
... look of his eyes , in the quarrel scene . The attribute of authority belongs essential- ly to Brutus , and Booth made it impressively obvious . Such a look , doubtless , that of Betterton was , when he said , " For your life you durst ...
Seite 364
... look . The problem was not in translating from play to film , but from script to film . Still , if we find Mankiewicz's film visu- ally disappointing - a kind of mirror opposite of Welles's early efforts where sheer graphic power ...
... look . The problem was not in translating from play to film , but from script to film . Still , if we find Mankiewicz's film visu- ally disappointing - a kind of mirror opposite of Welles's early efforts where sheer graphic power ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's