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Seite 82
The contrast between her grandeur and intensity here and her mercurial variety early on emphasized the fact that Shakespeare allows her , as he does not allow Antony , to become a genuinely tragic figure , and this means , as Peter ...
The contrast between her grandeur and intensity here and her mercurial variety early on emphasized the fact that Shakespeare allows her , as he does not allow Antony , to become a genuinely tragic figure , and this means , as Peter ...
Seite 183
But it is not enough to adopt Brecht's means and turn them into a style . There must be a constant search for new means responsive to the needs and purposes of every country and every time . CARLSON : Then it would not do for another ...
But it is not enough to adopt Brecht's means and turn them into a style . There must be a constant search for new means responsive to the needs and purposes of every country and every time . CARLSON : Then it would not do for another ...
Seite 417
By " the Army " he does not mean a few casual soldiers , he means the integral group of followers , in some uniform possibly , and with banner , drum and trumpet , which in Elizabethan stage convention personified and symbolized an army ...
By " the Army " he does not mean a few casual soldiers , he means the integral group of followers , in some uniform possibly , and with banner , drum and trumpet , which in Elizabethan stage convention personified and symbolized an army ...
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Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 081037966X, 9780810379664 |
| Zitat exportieren | BiBTeX EndNote RefMan |