Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 173
... role , moreover , is one in which few great actors have succeeded . At least two- Edmund Kean and Henry Irving - failed badly . The most successful was John Philip Kemble ; but he had played in a heavily rewritten version , and his ...
... role , moreover , is one in which few great actors have succeeded . At least two- Edmund Kean and Henry Irving - failed badly . The most successful was John Philip Kemble ; but he had played in a heavily rewritten version , and his ...
Seite 265
... roles of Brutus and Cassi- us were , for at least some of these presentations , assumed by the company's managers Lewis Hallam and John Henry . Hallam used the role of Brutus as a vehicle for dis- playing his fine rhetorical skills ...
... roles of Brutus and Cassi- us were , for at least some of these presentations , assumed by the company's managers Lewis Hallam and John Henry . Hallam used the role of Brutus as a vehicle for dis- playing his fine rhetorical skills ...
Seite 487
... roles . Saturninus might profitably have been more colourfully played , and it seemed perverse to give the role of Aaron to an actor who looks Greek instead of the raven - black Moor of the text , but Richard McCabe was a giggling ...
... roles . Saturninus might profitably have been more colourfully played , and it seemed perverse to give the role of Aaron to an actor who looks Greek instead of the raven - black Moor of the text , but Richard McCabe was a giggling ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's