Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 57
... seems to understand well enough that she is playing a woman for whose specific favours in bed a man threw away a third of an empire . She does not , nevertheless , suggest such a woman ; not , anyway , to me . It may be that it is her ...
... seems to understand well enough that she is playing a woman for whose specific favours in bed a man threw away a third of an empire . She does not , nevertheless , suggest such a woman ; not , anyway , to me . It may be that it is her ...
Seite 199
... seems to happen so often in this play . Mulryne . Another aspect of the densely particular world of the play ... seem so set , and at any rate through two - thirds of the play seem not to alter very much , yet— Glover . You would think ...
... seems to happen so often in this play . Mulryne . Another aspect of the densely particular world of the play ... seem so set , and at any rate through two - thirds of the play seem not to alter very much , yet— Glover . You would think ...
Seite 242
... seems positively humanized in responding to his mother's entreaty , and he seems fully confident that this will serve as an example of merciful leadership among his Volscian admirers . Yet he is strung up and slaughtered , and the play ...
... seems positively humanized in responding to his mother's entreaty , and he seems fully confident that this will serve as an example of merciful leadership among his Volscian admirers . Yet he is strung up and slaughtered , and the play ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's