Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 110
... stage hands helping from behind the curtains ; and Shakespeare makes dramatic capital out of the apparent difficulty . But the upper stage of the public theatre must have had a bal- ustrade at least three feet high . Swinging a dying ...
... stage hands helping from behind the curtains ; and Shakespeare makes dramatic capital out of the apparent difficulty . But the upper stage of the public theatre must have had a bal- ustrade at least three feet high . Swinging a dying ...
Seite 123
... stage directions in the First Folio to reconstruct Shakespeare's historical staging of the monument scenes . Ridley discounts the theory that a temporary property monument was erected on stage in Act IV , scene xv , and contends that ...
... stage directions in the First Folio to reconstruct Shakespeare's historical staging of the monument scenes . Ridley discounts the theory that a temporary property monument was erected on stage in Act IV , scene xv , and contends that ...
Seite 275
... stage ; up- stage left , the Soothsayer was " discovered " at an altar . Then , from the left , came the almost regal procession of Caesar and his entourage : first , 2 standards of S.P.Q.R. which moved upstage to the arch to form a ...
... stage ; up- stage left , the Soothsayer was " discovered " at an altar . Then , from the left , came the almost regal procession of Caesar and his entourage : first , 2 standards of S.P.Q.R. which moved upstage to the arch to form a ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's