Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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... stage design that revolutionized Shakespeare on the stage . Drawing on contemporary re- views and personal accounts , Lamb describes in detail the Antony and Cleopatra productions of Robert Atkins ( 1922 ) and W. Bridges - Adams ( 1921 ...
... stage design that revolutionized Shakespeare on the stage . Drawing on contemporary re- views and personal accounts , Lamb describes in detail the Antony and Cleopatra productions of Robert Atkins ( 1922 ) and W. Bridges - Adams ( 1921 ...
Seite 95
... stage rather than the age ? Did the line and the accompa- nying gesture invite an audience better trained in Latin to see Cleopatra's lace as her snare , to see the lacio , or entice- ment , that etymologically underlies " delight ...
... stage rather than the age ? Did the line and the accompa- nying gesture invite an audience better trained in Latin to see Cleopatra's lace as her snare , to see the lacio , or entice- ment , that etymologically underlies " delight ...
Seite 275
... stage ; up- stage left , the Soothsayer was " discovered " at an altar . Then , from the left , came the almost regal procession of Caesar and his entourage : first , 2 standards of S.P.Q.R. which moved upstage to the arch to form a ...
... stage ; up- stage left , the Soothsayer was " discovered " at an altar . Then , from the left , came the almost regal procession of Caesar and his entourage : first , 2 standards of S.P.Q.R. which moved upstage to the arch to form a ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's