Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the PainterGood Press, 03.12.2019 - 3048 Seiten Ernest Govett's 'Art Principles with Special Reference to Painting' delves deep into the fundamental principles of art, with a focus on painting. Govett's writing style is clear and concise, making it accessible to both novice and advanced artists. Drawing from his own experiences as a painter and art teacher, Govett provides insightful commentary on color theory, composition, and technique. The book is rich in examples and illustrations, allowing readers to fully grasp the concepts discussed. Positioned within the literary context of art theory and criticism, Govett's work stands as a valuable resource for artists seeking to enhance their skills and understanding of the craft. Ernest Govett, a renowned artist and educator, brings a wealth of knowledge and expertise to 'Art Principles with Special Reference to Painting'. His passion for art shines through in this comprehensive guide, offering readers a unique blend of practical advice and theoretical insights. Govett's dedication to the art world is evident in his meticulous attention to detail and commitment to artistic excellence. I highly recommend 'Art Principles with Special Reference to Painting' to anyone looking to deepen their understanding of the principles that underlie successful painting techniques. |
Inhalt
LIST OF PLATES | |
BOOK I | |
LAW OF GENERAL ASSENT | |
EXPRESSION PART VIMISCELLANEOUS | |
CHAPTER XII | |
BOOK II | |
ILLUSION OF SUSPENSION AND MOTION IN THE | |
PAGE | |
FRONTISPIECE DETAIL FROM FRAGONARDS THE PURSUIT FRICK | |
INDEX OF SCULPTORS PAINTERS AND WORKS OF | |
LE BON DIEU DAMIENS IN THE NORTH PORCH AMIENS | |
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accessories action æsthetic æsthetic value ancient Aphrodite appear artist Associated Arts bronze century B.C. character Christ Coll colour commonly composition considerable Correggio countenance death Deity drapery effect emotional Encyclopædia Britannica example execution exhibited experience expression figure Florence French frescoes Frick Collection Giorgione goddess grace Grecian Greek harmony head hence Homer human ideal illusion of motion imagination imitation importance Impressionism impressionist indicated invention Italian Jacob Ruysdael kind landscape less Lionardo Louvre Madonna and Child masters Michelangelo mind Museum National Gallery nature necessarily NOTE observer opening distance painter painting particular perfect personages Phidias picture Pitti Palace PLATE poet poetry portrait portraiture pose possible Praxiteles present presumed produced pure qualities Raphael recognized relief Rembrandt Renaissance repose representation represented Reynolds Rubens scene sculpture sensorial beauty signs sublime suggestion symbol Table of Contents things Timanthes Titian tones Uffizi Uffizi Gallery varied Velasquez Venetian Venus Venus Anadyomene Virgin woman