Introduction to ShakespeareBooks for Libraries Press, 1895 - 136 Seiten |
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Seite 56
... critic , “ in many of its characteristic features , reflects the form of Roman tragedy almost universally ac- cepted and followed in the earlier period of the drama . ... The Medea and Thyestes of Seneca are crowded with Pagan horrors ...
... critic , “ in many of its characteristic features , reflects the form of Roman tragedy almost universally ac- cepted and followed in the earlier period of the drama . ... The Medea and Thyestes of Seneca are crowded with Pagan horrors ...
Seite 71
... critic , lover , poet , wit , to resolve wisdom's white ray into the prismatic colours of folly ? In Twelfth Night all that is most mirth- ful and all that is most exquisite in the preceding comedies reappear with something of added ...
... critic , lover , poet , wit , to resolve wisdom's white ray into the prismatic colours of folly ? In Twelfth Night all that is most mirth- ful and all that is most exquisite in the preceding comedies reappear with something of added ...
Seite 74
... critics , " the pang of affec- tion misplaced or unrequited , the experience of man's worser nature which intercourse with un- worthy associates , by choice or circumstance , pecu- liarly teaches ; these , as they sank down into the ...
... critics , " the pang of affec- tion misplaced or unrequited , the experience of man's worser nature which intercourse with un- worthy associates , by choice or circumstance , pecu- liarly teaches ; these , as they sank down into the ...
Seite 87
... critics - Coleridge , Hallam , Dyce , Sidney Walker , Mr. Swinburne , and others have accepted the theory of ... criticism , to draw the line between Shakespeare's handiwork and Fletcher's , declared in 1840 that his opinion was ...
... critics - Coleridge , Hallam , Dyce , Sidney Walker , Mr. Swinburne , and others have accepted the theory of ... criticism , to draw the line between Shakespeare's handiwork and Fletcher's , declared in 1840 that his opinion was ...
Seite 91
... critics whose authority was dominant in the Restoration period . His own All for Love , a play on the sub- ject of ... Criticism in Tragedy ( 1679 ) , " was held in the same veneration by the Athenians of after ages as Shake- speare is ...
... critics whose authority was dominant in the Restoration period . His own All for Love , a play on the sub- ject of ... Criticism in Tragedy ( 1679 ) , " was held in the same veneration by the Athenians of after ages as Shake- speare is ...
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actor admirable appeared ardent Ben Jonson Betterton Burbage character close comedy criticism D'Avenant death despair dramatic dramatist Drury Lane Earl earlier early edition Edmund Kean Elizabethan English errors essay Falstaff father Folio Garrick genius Halliwell-Phillipps Hamlet heart HENRY CONDELL honour human imagination Introduction and Notes James Burbage Jonson Julius Cæsar Kean Kemble King Henry King John King Lear King Richard King Richard II later literature lived London Love's Labour's Lost Lucrece Malone Marlowe marriage Measure for Measure Merry Wives mirth noble Othello passion performance perhaps players poems poet poet's printed published quarto Queen reader Richard Burbage romantic Romeo and Juliet scene seems Shake Shakespeare's plays Shakespearian Shylock Sonnets speare speare's spectators spirit stage Steevens Stratford Tempest theatre Thomas Timon tion Titus Andronicus tragedy tragic Troilus Twelfth Night Venus and Adonis verse volume wife William Shakespeare writes written youth