Introduction to ShakespeareBooks for Libraries Press, 1895 - 136 Seiten |
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Seite 47
... expression of dramatic passion or to the control of that expression . The prose of lively dialogue , with quick turns of wit and repartee , which we find in the first comedies of Shakespeare , was in large measure derived from Lyly ...
... expression of dramatic passion or to the control of that expression . The prose of lively dialogue , with quick turns of wit and repartee , which we find in the first comedies of Shakespeare , was in large measure derived from Lyly ...
Seite 54
... expression of strong feeling swelled into bombast , it was easy to perceive that the play must be of an early or comparatively early date . If the structure of the play and the grouping of the characters were stiff and symmetrical , it ...
... expression of strong feeling swelled into bombast , it was easy to perceive that the play must be of an early or comparatively early date . If the structure of the play and the grouping of the characters were stiff and symmetrical , it ...
Seite 55
... expression of dramatic feeling ; having employed rhyme at first freely , and then with reserve , he finally dis- carded it altogether . At the same time his blank verse underwent various changes , which may all be summed up in the ...
... expression of dramatic feeling ; having employed rhyme at first freely , and then with reserve , he finally dis- carded it altogether . At the same time his blank verse underwent various changes , which may all be summed up in the ...
Seite 62
... expression , as Tamburlaine itself . " The protagonist , as in the tragedies of Marlowe , is thrust forward and domi- nates the whole play . Its opening is in the manner of Marlowe — an exordium in the form of a soliloquy . The ...
... expression , as Tamburlaine itself . " The protagonist , as in the tragedies of Marlowe , is thrust forward and domi- nates the whole play . Its opening is in the manner of Marlowe — an exordium in the form of a soliloquy . The ...
Seite 87
... expression , as we , so to speak , 1 Shakespeare's part : act i . ( except part of sc . 2. ) ; act ii . sc . I ; act . iii . sc . 1. 2 ; act . iv . sc . 3 ; act v . ( except sc . 2 ) . live with them . The resemblance which at first ...
... expression , as we , so to speak , 1 Shakespeare's part : act i . ( except part of sc . 2. ) ; act ii . sc . I ; act . iii . sc . 1. 2 ; act . iv . sc . 3 ; act v . ( except sc . 2 ) . live with them . The resemblance which at first ...
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actor admirable appeared ardent Ben Jonson Betterton Burbage character close comedy criticism D'Avenant death despair dramatic dramatist Drury Lane Earl earlier early edition Edmund Kean Elizabethan English errors essay Falstaff father Folio Garrick genius Halliwell-Phillipps Hamlet heart HENRY CONDELL honour human imagination Introduction and Notes James Burbage Jonson Julius Cæsar Kean Kemble King Henry King John King Lear King Richard King Richard II later literature lived London Love's Labour's Lost Lucrece Malone Marlowe marriage Measure for Measure Merry Wives mirth noble Othello passion performance perhaps players poems poet poet's printed published quarto Queen reader Richard Burbage romantic Romeo and Juliet scene seems Shake Shakespeare's plays Shakespearian Shylock Sonnets speare speare's spectators spirit stage Steevens Stratford Tempest theatre Thomas Timon tion Titus Andronicus tragedy tragic Troilus Twelfth Night Venus and Adonis verse volume wife William Shakespeare writes written youth