Leaves of Grass: The Sesquicentennial EssaysSusan Belasco, Ed Folsom, Kenneth M. Price U of Nebraska Press, 2007 - 504 Seiten Contains seventeen essays by pre-eminent scholars representing a variety of critical perspectives that focus on Walt Whitman's "Leaves of Grass". This book features contributors who treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, and nineteenth-century America. |
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Seite 5
... literary fetish, that the 1855 Leaves has. It's more than a text; it's an icon, a material object valued for its rarity, its odd shape, its idiosyncratic printing, its material as well as its verbal eccentricities. So it is a fitting ...
... literary fetish, that the 1855 Leaves has. It's more than a text; it's an icon, a material object valued for its rarity, its odd shape, its idiosyncratic printing, its material as well as its verbal eccentricities. So it is a fitting ...
Seite 7
... literary news in 1955 was that we now had a second major innovative nineteenth-century American poet, one whose work had never before been fully available and had been published only in bowdlerized and truncated and oddly misleading ...
... literary news in 1955 was that we now had a second major innovative nineteenth-century American poet, one whose work had never before been fully available and had been published only in bowdlerized and truncated and oddly misleading ...
Seite 15
... literary declaration of independence, but also a contract between the author and the reader, between the I and the you: “[W]hat I assume you shall assume” (lg 1855, 13). Even the much-discussed absence of Whitman's name on the title ...
... literary declaration of independence, but also a contract between the author and the reader, between the I and the you: “[W]hat I assume you shall assume” (lg 1855, 13). Even the much-discussed absence of Whitman's name on the title ...
Seite 31
... Literary Classics of the United States, 1982], 78) prints without comment the shorter version. 25. Arthur Golden, “The Ending of the 1855 Version of 'Song of Myself,'” Walt Whitman Quarterly Review 3 (Spring 1986): 27–30. For a recent ...
... Literary Classics of the United States, 1982], 78) prints without comment the shorter version. 25. Arthur Golden, “The Ending of the 1855 Version of 'Song of Myself,'” Walt Whitman Quarterly Review 3 (Spring 1986): 27–30. For a recent ...
Seite 60
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Inhalt
1 | |
VI | 33 |
VII | 35 |
VIII | 62 |
IX | 85 |
X | 87 |
XI | 124 |
XII | 141 |
XX | 282 |
XXI | 299 |
XXII | 321 |
XXIII | 343 |
XXIV | 361 |
XXV | 363 |
XXVI | 378 |
XXVII | 402 |
XIII | 177 |
XIV | 179 |
XV | 199 |
XVI | 224 |
XVII | 244 |
XVIII | 267 |
XIX | 269 |
XXVIII | 415 |
XXIX | 417 |
XXX | 427 |
XXXI | 429 |
XXXII | 457 |
XXXIII | 463 |
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Leaves of Grass: The Sesquicentennial Essays Susan Belasco,Ed Folsom,Kenneth M. Price Eingeschränkte Leseprobe - 2007 |
Häufige Begriffe und Wortgruppen
Allen American Literature American poetry appeared birds Black Elk Brooklyn Daily Brooklyn Daily Eagle Burroughs Calamus Calhoun celebration Communist conflict copies critical cultural biography Daily Eagle death democracy democratic early edition of Leaves Emerson Emory Holloway engraving essay field figure final finally find first edition five flight Folsom Gay Wilson Allen Griswold human identified influence Iowa Journ Karl Marx Killingsworth labor later Lawrence Buell Leaves of Grass literary Malcolm Cowley man’s manuscript McRae nation nature negress night nupm one’s passage plate poem poet’s poetic Poetry of America political preface printed publication published radical Ralph Waldo Emerson readers reflect reprinted Rome sexual significant slavery social Song speaker specific Specimen Days T. S. Eliot Tennyson tion University Press vision Walt Whitman Walt Whitman Quarterly Walt Whitman’s America Whit Whitman Quarterly Review Whitman’s poetry William words writing wrote York
Beliebte Passagen
Seite 162 - I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth.
Seite 422 - Whatever goes to the tilth of me it shall be you! You my rich blood! your milky stream pale strippings of my life! Breast that presses against other breasts it shall be you!
Seite 202 - THERE was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years.
Seite 421 - Loafe with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valvèd voice.
Seite 293 - With half-dropt eyelid still, Beneath a heaven dark and holy, To watch the long bright river drawing slowly His waters from the purple hill — THE LOTOS-EATERS To hear the dewy echoes calling From cave to cave thro' the thick-twined vine — To watch the emerald-colour'd water falling Thro' many a wov'n acanthus-wreath divine!
Seite 158 - I am an acme of things accomplish'd, and I an encloser of things to be. My feet strike an apex of the apices of the stairs, On every step bunches of ages, and larger bunches between the steps, All below duly travel'd, and still I mount and mount.
Seite 420 - THE LAST INVOCATION AT the last, tenderly, From the walls of the powerful fortress'd house, From the clasp of the knitted locks, from the keep of the well-closed doors, Let me be wafted. Let me glide noiselessly forth; With the key of softness unlock the locks — with a whisper, Set ope the doors O soul.
Seite 2 - One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse. Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing. Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The...
Seite 141 - The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world.
Seite 182 - Our day of dependence, our long apprenticeship to the learning of other lands, draws to a close. The millions that around us are rushing into life cannot always be fed on the sere remains of foreign harvests.