Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakespeare: With a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick and Other Celebrated Comedians. With Anecdotes of Dramatic Poets, Actors, &c, Band 2
The author, 1783
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acted action actor admirable affecting alteration Antony appearance audience Beaumont believe better Booth brought Brutus Cæſar called character Cibber comedians comedy Cordelia court death Engliſh equal excellent eyes father feelings firſt Fletcher formed Garrick give given hand himſelf honour humour Italy Jonſon Julius King Lady laſt Lear learned lines lived look Macbeth manner Mark maſter means merit Mills mind moſt murder muſt nature never obſerved opinion original paſſage paſſion perhaps perſon piece play players pleaſe plot poet preſent produced reader reaſon revived rich Roman Roman actors ſaid ſame ſays ſcene ſeems ſeveral Shakſpeare Shakſpeare's ſhall ſhe ſhould ſince ſituation ſome ſpeak ſpectators ſtage Steevens ſtill ſuch ſuperior ſuppoſe theatre theſe thing thoſe thou thought tion tragedy voice whole whoſe Wife Wilks writer young
Seite 311 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Seite 16 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Seite 143 - What hands are here ? ha ! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand ? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Seite 249 - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Seite 259 - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
Seite 274 - Garrick rendered the curse so terribly affecting to the audience, that, during his utterance of it, they seemed to shrink from it as from a blast of lightning. His preparation for it was extremely affecting; his throwing away his crutch, kneeling on one knee, clasping his hands together, and lifting his eyes towards heaven, presented a picture worthy the pencil of a Raphael.
Seite 258 - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life ; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse ; or, that if other excellences are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
Seite 275 - His pauses and broken interruptions of speech, of which he was extremely enamored, sometimes to a degree of impropriety, were at times too inartificially repeated ; nor did he give that terror to the whole which the great poet intended should predominate. THOMAS DAVIES : ' Dramatic Miscellanies,
Seite 347 - ANT. Come on, my soldier! Our hearts and arms are still the same: I long Once more to meet our foes, that thou and I, Like Time and Death, marching before our troops, May taste fate to 'em; mow 'em out a passage, And, ent'ring where the foremost squadrons yield, Begin the noble harvest of the field.