The History of England, from the Earliest Times, to the Death of George the Second (Classic Reprint)

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FB&C Limited, 10.10.2018 - 770 Seiten
Excerpt from The History of England, From the Earliest Times, to the Death of George the Second

IT is fortunate for mankind, that those periods of history which are the least serviceable, are the least known. It has been the study of many learned men to rescue from obscurity, and throw light upon, those early ages when the Britons were wholly barbarous, and their country uncultivated. But these researches have generally terminated in conjecture; so that whence Britain was at first peopled, or took its name, is still uncertain. The variety of opinions upon this head serve to prove the futility of all.

It will, therefore, be snficient to observe, that this beautiful island, by some thought the largest in the world, was called Britannia by the Romans long before the time of Caesar. It is supposed that this name was originally given to it by the merchants, who resorted hither from the continent. These called the inhabitants by one common name of Briths, from the' custom amon the natives of painting their naked bodies and small shields with an azure glue, which in the language of the country was called brick, and which served to dis 'sh them from those strangers who came among them for the purpose of tra e or alliance.

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As Samuel Johnson said in his famous epitaph on his Irish-born and educated friend, Goldsmith ornamented whatever he touched with his pen. A professional writer who died in his prime, Goldsmith wrote the best comedy of his day, She Stoops to Conquer (1773). Amongst a plethora of other fine works, he also wrote The Vicar of Wakefield (1766), which, despite major plot inconsistencies and the intrusion of poems, essays, tales, and lectures apparently foreign to its central concerns, remains one of the most engaging fictional works in English. One reason for its appeal is the character of the narrator, Dr. Primrose, who is at once a slightly absurd pedant, an impatient traditional father of teenagers, a Job-like figure heroically facing life's blows, and an alertly curious, helpful, loving person. Another reason is Goldsmith's own mixture of delight and amused condescension (analogous to, though not identical with, Laurence Sterne's in Tristram Shandy and Johnson's in Rasselas, both contemporaneous) as he looks at the vicar and his domestic group, fit representatives of a ludicrous but workable world. Never married and always facing financial problems, he died in London and was buried in Temple Churchyard.

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