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XCIX.

Anthemius.

The orator was defeated in his turn by the master of mechanics, whose malicious, though harmless, stratagems, are darkly represented by the ignorance of Agathias. In a lower room Anthemius arranged several vessels or cauldrons of water, each of them covered by the wide bottom of a leathern tube, which rose to a narrow top, and was artificially conveyed among the joists and rafters of the adjacent building. A fire was kindled beneath the cauldron; the steam of the boiling water ascended through the tubes; the house was shaken by the efforts of the imprisoned air, and its trembling inhabitants might wonder that the city was unconscious of the earthquake which they had felt. At another time the friends of Zeno, as they sat at table, were dazzled by the intolerable light which flashed in their eyes from the reflecting mirrors of Anthemius: they were astonished by the noise which he produced from a collision of certain minute and sonorous particles; and the orator declared in tragic style to the senate, that a mere mortal must yield to the power of an antagonist, who shook the earth with the trident of Neptune, and imitated the thunder and lightning of Jove himself.

EDWARD GIBBON.

C.

Literary Biography.

For this reason, writers and artists should, among their recreations, be forming a constant acquaintance with the history of their departed kindred. In literary biography a man of genius always finds something which relates to himself. The studies of artists have a great uniformity, and their habits of life are monotonous. They have all the same difficulties to encounter, although they do not all meet with the same glory. How many secrets may a man of genius learn from literary anecdotes? important secrets, which his friends will not convey to him. He traces the effects of similar studies; warned sometimes by failures, and often animated by watching the incipient and shadowy attempts which closed in a great work. From one he learns in what manner he planned and corrected; from another he may overcome those obstacles which, perhaps, at that very moment, make him rise in despair from his own unfinished labour. perhaps he had in'vain desired to know for half his life is revealed to him by a literary anecdote; and thus the amusements of indolent hours may impart the vigour of study; as we find sometimes in the fruit we have taken for pleasure the medicine which restores our health. How superficial is that cry of some impertinent pretended geniuses of these times, who affect to exclaim, "Give me no anecdotes of an author, but give me his works!" I have often found the anecdotes more interesting than the works.-I. DISRAELI.

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