Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 18Gale Research Company, 1984 |
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Seite 264
... audience to a complex understanding of a particular character [ Shylock ] . In his next comedy , Much Ado About Nothing , a play which is also based principally on an Italian narrative , he brings his audience to a complex understanding ...
... audience to a complex understanding of a particular character [ Shylock ] . In his next comedy , Much Ado About Nothing , a play which is also based principally on an Italian narrative , he brings his audience to a complex understanding ...
Seite 443
... audience provides the fourth group in the chain of observers zigzagging in toward the upstage scene . By creating such a system of observed observers , Shakespeare insures that the slightest response from the upstage couple will be ...
... audience provides the fourth group in the chain of observers zigzagging in toward the upstage scene . By creating such a system of observed observers , Shakespeare insures that the slightest response from the upstage couple will be ...
Seite 453
... audience and character perspectives . Shakespeare thus creates here , for and within the entire audience , [ a ] . . . faithful analogue to the stage action . . . . Theater spectators observe stage characters being observed from at ...
... audience and character perspectives . Shakespeare thus creates here , for and within the entire audience , [ a ] . . . faithful analogue to the stage action . . . . Theater spectators observe stage characters being observed from at ...
Inhalt
The Merry Wives of Windsor | 1 |
Much Ado about Nothing | 108 |
Comparisons and Overviews | 230 |
Urheberrecht | |
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Achilles acting actors actress Ajax Antoon atrice audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Caius cast character church scene comedy comic costumes critic dance Diomedes director Dogberry Don John Don Pedro drama dress duction effect Elizabethan Ellen Terry essay date Evans Falstaff farce Fenton Gielgud give Greek camp Hands's Hector Helen Henry Hero humour Irving John Barton Kemble lady laugh Leonato lines London lovers Merry Wives Miller Miss Mistress Ford modern never night Old Vic Pandarus Patroclus performance Peter play's players plot Poel present production of Troilus rehearsal review date revival Robert Speaight role romantic Royal Shakespeare Royal Shakespeare Company seems Shake Shakespeare Memorial Theatre Shakespeare's play Sir John speare speare's speech stage Stratford Stratford-upon-Avon Terry Hands Theatre theatrical Thersites thing tion Troilus and Cressida Troilus's Trojan Troy Ulysses Windsor Wives of Windsor words young