Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 18Gale Research Company, 1984 |
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Seite 37
... comic potential . In- deed , most critics found the principal performances un- inspired and lacking comic vitality , particularly focus- ing on Clive Swift's overly restrained and poorly paced Falstaff . By contrast , reviewers ...
... comic potential . In- deed , most critics found the principal performances un- inspired and lacking comic vitality , particularly focus- ing on Clive Swift's overly restrained and poorly paced Falstaff . By contrast , reviewers ...
Seite 227
... comic and tragic tones are so ignored that at the climax where the two plots find a serious intersection — when Beatrice tells Benedick to " kill Claudio " [ IV.i.389 ] -she actually gets a laugh . Any possible nuances are suffocated by ...
... comic and tragic tones are so ignored that at the climax where the two plots find a serious intersection — when Beatrice tells Benedick to " kill Claudio " [ IV.i.389 ] -she actually gets a laugh . Any possible nuances are suffocated by ...
Seite 259
... comic element was tactlessly exag- gerated through much of the later part of the sequence . Perhaps the most difficult moment for players to judge is the ' Kill Claudio ' speech itself , where the balance between the serious and the comic ...
... comic element was tactlessly exag- gerated through much of the later part of the sequence . Perhaps the most difficult moment for players to judge is the ' Kill Claudio ' speech itself , where the balance between the serious and the comic ...
Inhalt
The Merry Wives of Windsor | 1 |
Much Ado about Nothing | 108 |
Comparisons and Overviews | 230 |
Urheberrecht | |
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Achilles acting actors actress Ajax Antoon atrice audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Caius cast character church scene comedy comic costumes critic dance Diomedes director Dogberry Don John Don Pedro drama dress duction effect Elizabethan Ellen Terry essay date Evans Falstaff farce Fenton Gielgud give Greek camp Hands's Hector Helen Henry Hero humour Irving John Barton Kemble lady laugh Leonato lines London lovers Merry Wives Miller Miss Mistress Ford modern never night Old Vic Pandarus Patroclus performance Peter play's players plot Poel present production of Troilus rehearsal review date revival Robert Speaight role romantic Royal Shakespeare Royal Shakespeare Company seems Shake Shakespeare Memorial Theatre Shakespeare's play Sir John speare speare's speech stage Stratford Stratford-upon-Avon Terry Hands Theatre theatrical Thersites thing tion Troilus and Cressida Troilus's Trojan Troy Ulysses Windsor Wives of Windsor words young