Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 18Gale Research Company, 1984 |
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Seite 37
... comic potential . Indeed , most critics found the principal performances uninspired and lacking comic vitality , particularly focusing on Clive Swift's overly restrained and poorly paced Falstaff . By contrast , reviewers considered Ian ...
... comic potential . Indeed , most critics found the principal performances uninspired and lacking comic vitality , particularly focusing on Clive Swift's overly restrained and poorly paced Falstaff . By contrast , reviewers considered Ian ...
Seite 51
... comic brilliance , impeded the social satire of Moss's Merry Wives of Windsor , as did the supporting players ' uneven acting and discordant accents . Counteracting these flaws , however , was Phipps's and Blythe's roguish farce as the ...
... comic brilliance , impeded the social satire of Moss's Merry Wives of Windsor , as did the supporting players ' uneven acting and discordant accents . Counteracting these flaws , however , was Phipps's and Blythe's roguish farce as the ...
Seite 259
... comic element was tactlessly exaggerated through much of the later part of the sequence . Perhaps the most difficult moment for players to judge is the ' Kill Claudio ' speech itself , where the balance between the serious and the comic ...
... comic element was tactlessly exaggerated through much of the later part of the sequence . Perhaps the most difficult moment for players to judge is the ' Kill Claudio ' speech itself , where the balance between the serious and the comic ...
Inhalt
The Merry Wives of Windsor | 1 |
Much Ado about Nothing | 108 |
Comparisons and Overviews | 230 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achilles acting actors actress Ajax Antoon atrice audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Caius cast character church scene comedy comic costumes critic dance Diomedes director Dogberry Don John Don Pedro drama dress duction effect Elizabethan Ellen Terry essay date Evans Falstaff farce Fenton Gielgud give Greek camp Hands's Hector Helen Henry Hero humour Irving John Barton Kemble lady laugh Leonato lines London lovers Merry Wives Miller Miss Mistress Ford modern never night Old Vic Pandarus Patroclus performance Peter play's players plot Poel present production of Troilus rehearsal review date revival Robert Speaight role romantic Royal Shakespeare Royal Shakespeare Company seems Shake Shakespeare Memorial Theatre Shakespeare's play Sir John speare speare's speech stage Stratford Stratford-upon-Avon Terry Hands Theatre theatrical Thersites thing tion Troilus and Cressida Troilus's Trojan Troy Ulysses Windsor Wives of Windsor words young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 18 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379678, 9780810379671 |
| Zitat exportieren | BiBTeX EndNote RefMan |