Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 18Gale Research Company, 1984 |
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Seite 65
... play in a particular way , why one should choose an analogical modern context rather than setting the play in its own context , in which it was written . One can very loosely say that there are three ways of approaching it as a director ...
... play in a particular way , why one should choose an analogical modern context rather than setting the play in its own context , in which it was written . One can very loosely say that there are three ways of approaching it as a director ...
Seite 395
... play to have a proper hero and heroine . They might put the play on as an object of great interest - but they had not lived through a world war . They did not un- derstand that Troilus and Cressida is concerned with something far sadder ...
... play to have a proper hero and heroine . They might put the play on as an object of great interest - but they had not lived through a world war . They did not un- derstand that Troilus and Cressida is concerned with something far sadder ...
Seite 397
... play as a theatrical ve- hicle . Theatrical research , then , in examination of production , can illustrate the entirety of the play , illuminate all the de- vices which the dramatist must consider and rely upon for the final effect of ...
... play as a theatrical ve- hicle . Theatrical research , then , in examination of production , can illustrate the entirety of the play , illuminate all the de- vices which the dramatist must consider and rely upon for the final effect of ...
Inhalt
The Merry Wives of Windsor | 1 |
Much Ado about Nothing | 108 |
Comparisons and Overviews | 230 |
Urheberrecht | |
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Achilles acting actors actress Ajax Antoon atrice audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Caius cast character church scene comedy comic costumes critic dance Diomedes director Dogberry Don John Don Pedro drama dress duction effect Elizabethan Ellen Terry essay date Evans Falstaff farce Fenton Gielgud give Greek camp Hands's Hector Helen Henry Hero humour Irving John Barton Kemble lady laugh Leonato lines London lovers Merry Wives Miller Miss Mistress Ford modern never night Old Vic Pandarus Patroclus performance Peter play's players plot Poel present production of Troilus rehearsal review date revival Robert Speaight role romantic Royal Shakespeare Royal Shakespeare Company seems Shake Shakespeare Memorial Theatre Shakespeare's play Sir John speare speare's speech stage Stratford Stratford-upon-Avon Terry Hands Theatre theatrical Thersites thing tion Troilus and Cressida Troilus's Trojan Troy Ulysses Windsor Wives of Windsor words young