GlyphJohns Hopkins University Press, 1980 - 256 Seiten |
Im Buch
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Seite 41
... subversive insights are generated in the midst of apparently or- thodox texts and simultaneously contained by those texts , contained so ef- ficiently that the society's licensing and policing apparatus is not directly engaged . ] Here ...
... subversive insights are generated in the midst of apparently or- thodox texts and simultaneously contained by those texts , contained so ef- ficiently that the society's licensing and policing apparatus is not directly engaged . ] Here ...
Seite 42
... subversive notions contained within an apparently untroubled expression of orthodoxy . Hence the identification of the orthodox ideology that informs a particular text by no means obvi- ates the possible presence of genuinely subversive ...
... subversive notions contained within an apparently untroubled expression of orthodoxy . Hence the identification of the orthodox ideology that informs a particular text by no means obvi- ates the possible presence of genuinely subversive ...
Seite 52
... subversive ” in the past precisely those things that are not subversive to ourselves , that pose no threat to the order by which we live and allocate resources : in Harriot's Brief and True Report , the function of illusion in the ...
... subversive ” in the past precisely those things that are not subversive to ourselves , that pose no threat to the order by which we live and allocate resources : in Harriot's Brief and True Report , the function of illusion in the ...
Inhalt
A Poem Finally Anonymous STANLEY E FISH | 1 |
TWO Marvells Nymph and the Echo of Voice JONATHAN | 19 |
Renaissance Authority and | 40 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
allegory American assertion authority Babo beautiful become Benito Cereno Burke Burke's calls character Conrad's context Costaguana criticism D. A. Miller death deconstruction Decoud Delano denying Eliot Eliot's Pragmatism European F. H. Bradley fact fawn fiction figure function garden Giorgio Glyph Gould Harriot Ibid ideal interpretation irony Jonathan Goldberg language literary little Eva Lycidas Mark Conroy Marvell's meaning Melville Melville's memory Menocchio metaphor narrator never Nostromo notion novel nymph object pastoral Paterson Five perception Philosophy in Kinkanja play poem poetry point of view police political present reader reading reality remark Renaissance repetition representation revolt rhetoric San Dominick scene seems sensation sense silver simply social speak speaker Stephen Greenblatt story Stowe Stowe's sublime subversive Sulacan Sulaco Sylvio tale tapestries tautology things Thomas Harriot tion troopers truth Uncle Tom's Cabin unicorn University Press Walter Benn Michaels words