GlyphJohns Hopkins University Press, 1980 - 256 Seiten |
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Seite 114
... tion . Various scenes in which his supposed train of thought is asserted then retracted , or in which the narrator merges with then withdraws from Delano's point of view , inform the tension that the shaving scene maintains at the very ...
... tion . Various scenes in which his supposed train of thought is asserted then retracted , or in which the narrator merges with then withdraws from Delano's point of view , inform the tension that the shaving scene maintains at the very ...
Seite 122
... tion " the true character of the revolt is revealed to Delano and the skeletal figurehead of the San Dominick is exposed in completed irony , but in the end of the entire tale , when the two captains , in the scene given " retro ...
... tion " the true character of the revolt is revealed to Delano and the skeletal figurehead of the San Dominick is exposed in completed irony , but in the end of the entire tale , when the two captains , in the scene given " retro ...
Seite 180
... tion cannot be distinguished from a false one by virtue of its proximity to an object but only by virtue of its consistency with a " world . " And , more important in this context , a perception can never be treated as such , neither ...
... tion cannot be distinguished from a false one by virtue of its proximity to an object but only by virtue of its consistency with a " world . " And , more important in this context , a perception can never be treated as such , neither ...
Inhalt
A Poem Finally Anonymous STANLEY E FISH | 1 |
TWO Marvells Nymph and the Echo of Voice JONATHAN | 19 |
Renaissance Authority and | 40 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
allegory American assertion authority Babo beautiful become Benito Cereno Burke Burke's calls character Conrad's context Costaguana criticism D. A. Miller death deconstruction Decoud Delano denying Eliot Eliot's Pragmatism European F. H. Bradley fact fawn fiction figure function garden Giorgio Glyph Gould Harriot Ibid ideal interpretation irony Jonathan Goldberg language literary little Eva Lycidas Mark Conroy Marvell's meaning Melville Melville's memory Menocchio metaphor narrator never Nostromo notion novel nymph object pastoral Paterson Five perception Philosophy in Kinkanja play poem poetry point of view police political present reader reading reality remark Renaissance repetition representation revolt rhetoric San Dominick scene seems sensation sense silver simply social speak speaker Stephen Greenblatt story Stowe Stowe's sublime subversive Sulacan Sulaco Sylvio tale tapestries tautology things Thomas Harriot tion troopers truth Uncle Tom's Cabin unicorn University Press Walter Benn Michaels words