Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12Gale Research Company, 1984 |
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Seite 42
... Irving's intelli- gent use of action as commentary . But the prime generator of sympathetic audience response was , of course , Irving's dignified portrayal of Shylock . The following description of his acting [ in Laurence Irving ] ...
... Irving's intelli- gent use of action as commentary . But the prime generator of sympathetic audience response was , of course , Irving's dignified portrayal of Shylock . The following description of his acting [ in Laurence Irving ] ...
Seite 44
... Irving's plan , and ( 3 ) the crowds present in both plans , but in Irving's placed at the rear of the stage where they would not distract attention from the principals . By 1879 Godwin and Ellen Terry ( Irving's Portia ) were no longer ...
... Irving's plan , and ( 3 ) the crowds present in both plans , but in Irving's placed at the rear of the stage where they would not distract attention from the principals . By 1879 Godwin and Ellen Terry ( Irving's Portia ) were no longer ...
Seite 45
... Irving's career . I will have something to say about almost all of Irving's Shakespearean productions , and will consider a few of them in detail . I think it will become apparent that stu- dents of Shakespeare have little reason to be ...
... Irving's career . I will have something to say about almost all of Irving's Shakespearean productions , and will consider a few of them in detail . I think it will become apparent that stu- dents of Shakespeare have little reason to be ...
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli