Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12Gale Research Company, 1984 |
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Seite 405
... play's characters as ' actors ' , and we felt that this would hinder the attempt , in this production , to present them as real people in a real , and ultimately quite serious situation . The range of motives underlying this contentious ...
... play's characters as ' actors ' , and we felt that this would hinder the attempt , in this production , to present them as real people in a real , and ultimately quite serious situation . The range of motives underlying this contentious ...
Seite 436
... play's dramatic poetry to create " total theatre . " Theatrical criticism challenges one to perceive the dramatur- gy implicit in Shakespeare's text , and meeting that challenge in the text of The Shrew provides a possible solution to ...
... play's dramatic poetry to create " total theatre . " Theatrical criticism challenges one to perceive the dramatur- gy implicit in Shakespeare's text , and meeting that challenge in the text of The Shrew provides a possible solution to ...
Seite 449
... play is obviously in- tended to celebrate . Led by John Neville , the young actors in Carey's presentation gave vigorous performances , creating a rare cohesiveness that contributed to the play's success . Carey's revival became so ...
... play is obviously in- tended to celebrate . Led by John Neville , the young actors in Carey's presentation gave vigorous performances , creating a rare cohesiveness that contributed to the play's success . Carey's revival became so ...
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli