Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12Gale Research Company, 1984 |
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... role nearly fifty years . We read , how , at Covent Garden The house was uncommonly crowded and brilliant , and his reception very great . This wonderful old man , like Anteus , seems to acquire fresh vigour . . . . Two years later ...
... role nearly fifty years . We read , how , at Covent Garden The house was uncommonly crowded and brilliant , and his reception very great . This wonderful old man , like Anteus , seems to acquire fresh vigour . . . . Two years later ...
Seite 104
... role through re- hearsals and consultations with the director and cast members . Cusack also reveals how aspects of her characterization of Por- tia and of the production in general evolved during its run . As for her confessed failure ...
... role through re- hearsals and consultations with the director and cast members . Cusack also reveals how aspects of her characterization of Por- tia and of the production in general evolved during its run . As for her confessed failure ...
Seite 524
... role - playing , hypocrisy , and dissimula- tion 8 : 145 , 148 , 154 , 159 , 162 , 165 , 168 , 170 , 182 , 190 , 206 , 213 , 218 , 228 , 239 , 243 , 252 , 258 , 267 as a scourge or instrument of God 8 : 163 , 177 , 193 , 201 , 218,228 ...
... role - playing , hypocrisy , and dissimula- tion 8 : 145 , 148 , 154 , 159 , 162 , 165 , 168 , 170 , 182 , 190 , 206 , 213 , 218 , 228 , 239 , 243 , 252 , 258 , 267 as a scourge or instrument of God 8 : 163 , 177 , 193 , 201 , 218,228 ...
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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