The Works of Shakespeare, Band 3Macmillan and Company, limited, 1904 |
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Seite 68
... king , I could find it in my heart to bestow it all of your worship . Leon . All thy tediousness on me , ah ? Dog . Yea , an ' twere a 3. confidence , for ' confer- ence . ' 18. palabras , a corruption of the Span . pocas palabras ...
... king , I could find it in my heart to bestow it all of your worship . Leon . All thy tediousness on me , ah ? Dog . Yea , an ' twere a 3. confidence , for ' confer- ence . ' 18. palabras , a corruption of the Span . pocas palabras ...
Seite 107
... 'll devise thee brave punishments for him . up , pipers . [ Dance . Strike Exeunt . 126. tipped with horn , i.e. with a horn ferrule . 130 ALL'S WELL THAT ENDS WELL DRAMATIS PERSONE KING OF FRANCE. 1 Much Ado About Nothing SC . IV.
... 'll devise thee brave punishments for him . up , pipers . [ Dance . Strike Exeunt . 126. tipped with horn , i.e. with a horn ferrule . 130 ALL'S WELL THAT ENDS WELL DRAMATIS PERSONE KING OF FRANCE. 1 Much Ado About Nothing SC . IV.
Seite 109
William Shakespeare. ALL'S WELL THAT ENDS WELL DRAMATIS PERSONE KING OF FRANCE . DUKE OF FLORENCE . 109 ALL'S WELL THAT ENDS WELL-
William Shakespeare. ALL'S WELL THAT ENDS WELL DRAMATIS PERSONE KING OF FRANCE . DUKE OF FLORENCE . 109 ALL'S WELL THAT ENDS WELL-
Seite 110
William Shakespeare. DRAMATIS PERSONE KING OF FRANCE . DUKE OF FLORENCE . BERTRAM , Count of Rousillon . LAFEU , an old lord . PAROLLES , a follower of Bertram . Steward , LAVACHE , a Clown , A Page . } servants to the Countess of ...
William Shakespeare. DRAMATIS PERSONE KING OF FRANCE . DUKE OF FLORENCE . BERTRAM , Count of Rousillon . LAFEU , an old lord . PAROLLES , a follower of Bertram . Steward , LAVACHE , a Clown , A Page . } servants to the Countess of ...
Seite 112
... king ( ii . 1. 132-212 ) , much of the choosing scene ( ii . 3. 106 f . ) , and the greater part of the dénoûment ( v . 3 ) . Just these passages , moreover , abound in conceits , verbal antitheses , and other more decisive marks of ...
... king ( ii . 1. 132-212 ) , much of the choosing scene ( ii . 3. 106 f . ) , and the greater part of the dénoûment ( v . 3 ) . Just these passages , moreover , abound in conceits , verbal antitheses , and other more decisive marks of ...
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Achilles Æneas Agam Agamemnon Ajax Antenor Beat Beatrice Benedick Bertram blood Bora Borachio brother Calchas Claud Claudio Count cousin Cres Cressida daughter death DEIPHOBUS Diomed DIOMEDES dost doth Duke Enter Escal Exeunt Exit eyes fair faith Farewell father fear fool friar Gent give grace Grecian Greek hast hath hear heart heaven Hect Hector Helen Hero hither honour husband Isab King knave lady Lafeu Leon Leonato look Lord Angelo Lucio madam maid marry master Master constable Menelaus never night noble Pandarus pardon Parolles Patr Patroclus Pedro play Pompey praise pray Priam prince Prov provost Re-enter Rousillon SCENE Shakespeare Signior soul speak sweet tell thank thee Ther there's Thersites thine thing thou art to-morrow Troilus Troilus and Cressida Trojan Troy Ulyss what's wife word