Will in the World: How Shakespeare Became Shakespeare

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Jonathan Cape, 2004 - 430 Seiten
The theatre for which Shakespeare wrote and acted was a cut-throat commercial entertainment industry. Yet his plays were also intensely alert to the social and political realities of their times.

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Autoren-Profil (2004)

Stephen Greenblatt is a literary critic, theorist and scholar. He is the author of Three Modern Satirists: Waugh, Orwell, and Huxley (1965); Renaissance Self-Fashioning: From More to Shakespeare (1980); Learning to Curse: Essays in Early Modern Culture (1990); Redrawing the Boundaries: The Transformation of English and American Literary Studies (1992); The Norton Shakespeare (1997); Will in the World: How Shakespeare Became Shakespeare (2004); Shakespeare's Freedom (2010); and The Swerve: How the World Became Modern (2011).

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