Shakespeare's Wide and Universal Stage

action actor appear attempt audience aware become begins believe Brutus Caesar called characters Claudio Clown comes concerned Coriolanus course created critics death drama effect Elizabethan existence experience fact Falstaff father feeling figure final follows fool force further give Hamlet hand Henry hero honour human idea illusion imagination important interest kind King Knights language Lear Lear's lines live look means merely mind moral nature never offer once Othello pattern performance perhaps play plot political present Prince production question reality reason relation response rhetoric Richard role Rome scene seems seen sense Shakespeare significance situation soliloquy speak speech stage story suggests symbolic talk tell theatre things thou thought tragedy tragic true truth turn whole