Domenico Scarlatti, Band 2

Alessandro Scarlatti Allegro Amiconi Antonio appear Appendix appoggiatura Aranjuez arpeggiated basic bass Bernardo Pasquini Biblioteca Burney C. P. E. Bach cadences cadential Cappella Carlos chords closing tonality color composer continuo copied Crux diatonic dissonances Domenico Scarlatti dominant Domingo eighteenth-century Essercizi Example Excursion Farinelli Fernando Filippo Juvarra frequently fugue Gasparini hand harpsichord harpsichord music instrument Isabel Farnese Italian J. S. Bach Juvarra keyboard music later sonatas latti libretto Longo Madrid major Maria Barbara Maria Casimira measures melodic ment Metastasio minor modulation movement musicians Naples notes octave opera orchestra palace Parma Parma manuscripts Pasquini passages pedal points performance phrase piano piece player playing Post-Crux Pre-Crux Queen restatement rhythmic Rome Roseingrave royal Scar Scarlatti family Scarlatti sonata Scarlatti's harpsichord seventh Soler solo sound Spain Spanish court strings style subdominant tempo theater thematic material tion tonal Tonal Section tonic trill Venice Venice xv vocal voices volumes