The Philosophy of Rhetoric, Band 1A. Constable & Company, 1816 |
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Seite vi
... object , by which it is excited . The inves- tigation is conducted with the greatest ac- curacy , and the theory ... objects and ludi- crous writing , with a view to account for the superior copiousness and refinement of mo- dern ...
... object , by which it is excited . The inves- tigation is conducted with the greatest ac- curacy , and the theory ... objects and ludi- crous writing , with a view to account for the superior copiousness and refinement of mo- dern ...
Seite vii
... to ascertain , with greater precision , the radical principles of that art , whose object it is , by the use of language , to operate on the soul of the • hearer , in the way of informing , convincing , A 4 PREFACE . vii.
... to ascertain , with greater precision , the radical principles of that art , whose object it is , by the use of language , to operate on the soul of the • hearer , in the way of informing , convincing , A 4 PREFACE . vii.
Seite xiii
... Objects , Ends , and Characters , CHAP . II . Of Wit , Humour , and Ridicule , 21 34 SECT . I. Of Wit , 35 SECT II . Of Humour , 49 SECT . III . Of Ridicule . 58 CHAP . III . The Doctrine of the preceding Chapter defended , 71 SECT . I ...
... Objects , Ends , and Characters , CHAP . II . Of Wit , Humour , and Ridicule , 21 34 SECT . I. Of Wit , 35 SECT II . Of Humour , 49 SECT . III . Of Ridicule . 58 CHAP . III . The Doctrine of the preceding Chapter defended , 71 SECT . I ...
Seite xv
... objects or representations that excite pity and other painful feelings , SECT . I. The different solutions hitherto given by philosophers , examined , Part I. The first hypothesis , Part II . The second hypothesis , Part III . The third ...
... objects or representations that excite pity and other painful feelings , SECT . I. The different solutions hitherto given by philosophers , examined , Part I. The first hypothesis , Part II . The second hypothesis , Part III . The third ...
Seite 8
... object , as in a picture or a statue , a perfect conformity to its archetype is a thing at least conceivable . In like manner , the utmost pleasure of which the imagination is susceptible , by a poetical nar- rative or exhibition , is a ...
... object , as in a picture or a statue , a perfect conformity to its archetype is a thing at least conceivable . In like manner , the utmost pleasure of which the imagination is susceptible , by a poetical nar- rative or exhibition , is a ...
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acknowledge admit adverb analogy appear argument axioms barbarism beauty canon catachresis Chap character circumstances common commonly consequence considered contrary critics degree denominated denote derive discourse discover doth Dr Johnson Dr Priestley Dunciad effect eloquence employed English equal evidence example excited experience expression favour former give grammar hath hearers Hence Hudibras human humour ideas idiom imagination impropriety instance justly kind knowledge language latter laughter least manner means memory ment mind moral nature necessary neral never object observed orator pain participle particular passions perhaps periphrasis perly person perspicuity persuade phrases pity pleasure poet preposition present preterite principles produce properly Quintilian racter reason regard relation remark render resemblance respect ridicule rience Romani sense sentiments signifies sion solecism solely sometimes sophism sort speak speaker species Spect style syllogism term thing tion tongue tropes truth verb wherein words writers