Chinese Aesthetics and Literature: A ReaderCorinne H. Dale SUNY Press, 18.03.2004 - 247 Seiten This comprehensive introduction to Chinese aesthetics and literature includes the major modern genres of poetry, fiction, and drama. Featuring the work of renowned scholars in Chinese studies, the book provides an historical survey of Chinese literature and explains its philosophical and historical underpinnings in Daoist, Buddhist, and Confucian thought. The traditions of lyric poetry, fiction, and theater are presented as cultural practices. Modern responses to the political and social crises of twentieth-century China and on the avant-garde experimental literature of twenty-first century China are also examined. |
Inhalt
THE IMAGINATIVE UNIVERSE OF CHINESE | 1 |
chapter | 15 |
chapter three | 27 |
chapter four | 41 |
chapter five | 55 |
chapter | 71 |
THE DISTINCTIVE ART OF CHINESE FICTION | 103 |
chapter eight | 129 |
chapter nine | 153 |
chapter | 173 |
chapter eleven | 211 |
229 | |
contributors | 239 |
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Häufige Begriffe und Wortgruppen
artistic audience Beijing opera Beijing opera plays ch'i characters Chinese culture Chinese Drama Chinese fiction Chinese literature Chinese novel Chinese Poetry Chinese tradition chou civil plays classical Chinese Confucian contemporary Chinese correlative critical realism Cultural Revolution dance-acting dramatists dynasty emotional essay experience female film gender Heaven human individual Jin Ping Mei Jüben Drama language Late Imperial China Li Shimin literary lyric major meaning Ming Mo Yan modernist moral narrative nature oral Pan Jinlian pattern performance philosophy plot poem poet poetic political Qing readers reading reality Red Chamber Red Sorghum role type scenes scholars sense sexual Shanghai Shen Congwen sheng Shimin skills social socialist song speech spoken drama story structure Tang dynasty theater things tion traditional Chinese trans translation University Press virtue Wang Water Margin West Western woman women words worldview writing Xuanzang