The Transcendental Masque; an Essay on Milton's Comus

action appears artist audience become belief brothers called character chastity complex Comus continuous court created critical dance device divine double drama echo effect Elizabethan English example expressive fact festive final follows force freedom genre gives hand harmony human idea ideal imaginative implies important Italy John Jones Jonson kind king Lady language Lawes leads lines literary Lost magic masque means Measure Milton mind mystery myth nature observes opera original perfect performance perhaps period person philosophic plays poem poet poetic poetry political possible present prince principle problem Renaissance rhetoric role Sabrina says scene seems sense shows song sort sound speak Spirit stage structure Studies style suggests theatre theatrical theme theory things thought tion tradition transcendence transcendental form triumph true universe verse virginity virtue vision voice whole York