Shakespeare and the Modern Stage: With Other Essays |
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CONTEMPORARY POPULARITY 29 III There is a certain justification , in fact , for the fancy that the plaudites were loud and long , when Shakespeare created the rôle of the " poor ghost " in the first production of his play of Hamlet in ...
CONTEMPORARY POPULARITY 29 III There is a certain justification , in fact , for the fancy that the plaudites were loud and long , when Shakespeare created the rôle of the " poor ghost " in the first production of his play of Hamlet in ...
Seite 110
Luckily for Pepys , he was the contemporary of at least one inspired Shakespearean actor . The exaltation of spirit to which he confesses , when he witnessed Betterton in the rôle of Hamlet , is proof that the prosaic multitude for whom ...
Luckily for Pepys , he was the contemporary of at least one inspired Shakespearean actor . The exaltation of spirit to which he confesses , when he witnessed Betterton in the rôle of Hamlet , is proof that the prosaic multitude for whom ...
Seite 249
... 27 ; contemporary popularity of , 29 ; at Court , 31 ; early London career , 32 ; advice to the actor , 45 ; his modest estimate of the actor's powers , 47 ; elegies on death of , 49 ; Fuller's notice of , 52 ; ly biographies of ...
... 27 ; contemporary popularity of , 29 ; at Court , 31 ; early London career , 32 ; advice to the actor , 45 ; his modest estimate of the actor's powers , 47 ; elegies on death of , 49 ; Fuller's notice of , 52 ; ly biographies of ...
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Inhalt
I | 1 |
II | 25 |
Pepyss Enthusiasm for the Later Elizabethan | 31 |
Urheberrecht | |
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Shakespeare and the Modern Stage: With Other Essays Sir Sidney Lee, Sir Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
acting actor artistic audience Benson's biography called career century character Charles comedy contemporary critical D'Avenant death dramatist early effect efforts Elizabethan endeavour England English enterprise experience fact followed formed France French genius give Hamlet hand Henry honour human imagination interest John Jonson King knowledge leading less lines literary literature lived London manager memorial ment methods mind monument municipal municipal theatre natural never night offered oral tradition patriotism Pepys Pepys's performance period piece play playgoer playhouse poet practical present principles produced record rendered respect runs scene scenery scenic seems Shake Shakespeare Shakespeare's plays Shakespearean drama speare speare's spectacular speech stage Stratford student success suggestion theatre theatrical thought tion true whole William Beeston writing wrote