Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 Seiten |
Im Buch
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Seite 112
... manager who undertakes to produce Shakespearean drama should change his programme at frequent intervals , and should permit no long continuous run of any single play . Thirdly , all the parts , whatever their significance , should be ...
... manager who undertakes to produce Shakespearean drama should change his programme at frequent intervals , and should permit no long continuous run of any single play . Thirdly , all the parts , whatever their significance , should be ...
Seite 125
... manager may be set on the opposite side of the account . Although the actor - manager belongs to the ranks of the capi- talists ( whether he be one himself or dependent on one ) , yet when he exercises supreme control of his playhouse ...
... manager may be set on the opposite side of the account . Although the actor - manager belongs to the ranks of the capi- talists ( whether he be one himself or dependent on one ) , yet when he exercises supreme control of his playhouse ...
Seite 126
... manager system may be frankly admitted , but at the same time one should recognise the system's possible advantages . An actor - manager does not usually arrive at his position until his career is well advanced and he has proved his ...
... manager system may be frankly admitted , but at the same time one should recognise the system's possible advantages . An actor - manager does not usually arrive at his position until his career is well advanced and he has proved his ...
Inhalt
II | 4 |
SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
1 | 82 |
Urheberrecht | |
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Shakespeare and the Modern Stage: With Other Essays Sir Sidney Lee, Sir Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
acting actor actor-manager actors and actresses admiration artistic audience Beeston Ben Jonson Benson's Betterton biography Cæsar character Charles Charles Kean classical comedy commemorative contemporary critical D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French genius gossip Hamlet Henry histrionic honour imagination Jonson Julius Cæsar King less literary drama literature London London County Council Love's Labour's Lost Lowin manager memorial ment methods Midsummer Night's Dream modern monument moral municipal theatre never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston writing wrote