Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 Seiten |
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Seite 44
... realise the dramatic potency of the poet's work without any , or any but the slightest , adventitious aid outside the words of the play . The Elizabethan playgoer needs no pity . It is ourselves who are deserving objects of compassion ...
... realise the dramatic potency of the poet's work without any , or any but the slightest , adventitious aid outside the words of the play . The Elizabethan playgoer needs no pity . It is ourselves who are deserving objects of compassion ...
Seite 117
... realise completely the motives of Hamlet's conduct , and. 1 The performance occupied nearly six hours . One half was given in the afternoon , and the other half in the evening of the same day , with an interval of an hour and a half ...
... realise completely the motives of Hamlet's conduct , and. 1 The performance occupied nearly six hours . One half was given in the afternoon , and the other half in the evening of the same day , with an interval of an hour and a half ...
Seite 179
... realise the highest ideals of social and political conduct which are known to him , and to ensure for her the best possible " reputation through the world . " Criticism conceived in a pa- triotic spirit should be constant and unflagging ...
... realise the highest ideals of social and political conduct which are known to him , and to ensure for her the best possible " reputation through the world . " Criticism conceived in a pa- triotic spirit should be constant and unflagging ...
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Shakespeare and the Modern Stage: With Other Essays Sir Sidney Lee, Sir Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
acting actor actor-manager actors and actresses artistic audience Beeston Ben Jonson Benson's Betterton biography Cæsar career character Charles Charles Kean comedy contemporary critical D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius genuine gossip Hamlet Henry histrionic honour illusion imagination Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth memory ment methods Molière monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poetic poetry present principles produced realise rendered reputation Richard II rôles Sadler's Wells Theatre scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Sir Henry Irving speare speare's spectacle spectacular spectator speech Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedies Twelfth Night William William Beeston writing wrote