Shakespeare and the Modern Stage: With Other Essays |
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10 THE PURPOSE OF SCENERY audience that illusion of environment which the text invites . Without so much scenery or costume the words fail to get home to the audience . In comedies dealing with concrete conditions of modern society ...
10 THE PURPOSE OF SCENERY audience that illusion of environment which the text invites . Without so much scenery or costume the words fail to get home to the audience . In comedies dealing with concrete conditions of modern society ...
Seite 13
If scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast , shall be more efficient and better harmonised than that which ...
If scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast , shall be more efficient and better harmonised than that which ...
Seite 106
But the chief feature of the revived Tempest was the music , the elaborate scenery , and the scenic mechanism.1 There was an orchestra of twenty - four violins in front of the stage , with harpsichords and " theorbos " to accompany the ...
But the chief feature of the revived Tempest was the music , the elaborate scenery , and the scenic mechanism.1 There was an orchestra of twenty - four violins in front of the stage , with harpsichords and " theorbos " to accompany the ...
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Inhalt
I | 1 |
II | 25 |
Pepyss Enthusiasm for the Later Elizabethan | 31 |
Urheberrecht | |
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Shakespeare and the Modern Stage: With Other Essays Sir Sidney Lee, Sir Keine Leseprobe verfügbar - 2016 |
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acting actor artistic audience Benson's biography called career century character Charles comedy contemporary critical D'Avenant death dramatist early effect efforts Elizabethan endeavour England English enterprise experience fact followed formed France French genius give Hamlet hand Henry honour human imagination interest John Jonson King knowledge leading less lines literary literature lived London manager memorial ment methods mind monument municipal municipal theatre natural never night offered oral tradition patriotism Pepys Pepys's performance period piece play playgoer playhouse poet practical present principles produced record rendered respect runs scene scenery scenic seems Shake Shakespeare Shakespeare's plays Shakespearean drama speare speare's spectacular speech stage Stratford student success suggestion theatre theatrical thought tion true whole William Beeston writing wrote