Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 26
... discourse and acquires a consequent androgyny in its characterization . The logic intrinsic to this rhetoric again works with ambiguous cultural ef- fects . On the one hand , it may envisage an original male ideal as threatened by the ...
... discourse and acquires a consequent androgyny in its characterization . The logic intrinsic to this rhetoric again works with ambiguous cultural ef- fects . On the one hand , it may envisage an original male ideal as threatened by the ...
Seite 32
... discourse of man , a signifier that has always referred back to the opposite signifier.'58 A visual structure of rhetoric that sees the male ethos as the proper origin of speech , from the rules of grammar to the conventions of ...
... discourse of man , a signifier that has always referred back to the opposite signifier.'58 A visual structure of rhetoric that sees the male ethos as the proper origin of speech , from the rules of grammar to the conventions of ...
Seite 40
... discourse of desire . Her final revelation continues to represent the operation of this discourse ; rather than allowing her selfhood to be realized , it imposes the cultural para- digms of sexual character upon her , in chaste service ...
... discourse of desire . Her final revelation continues to represent the operation of this discourse ; rather than allowing her selfhood to be realized , it imposes the cultural para- digms of sexual character upon her , in chaste service ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words