Shakespearean CriticismGale Research International, Limited, 1996 - 400 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 185
... comedies generally , is ' love ' . Since love is the subject matter of all the comedies , and has been extensively analysed by John Russell Brown in his book on Shakespeare's comedies [ Shakespeare and his Comedies , 1962 ] , I pass by ...
... comedies generally , is ' love ' . Since love is the subject matter of all the comedies , and has been extensively analysed by John Russell Brown in his book on Shakespeare's comedies [ Shakespeare and his Comedies , 1962 ] , I pass by ...
Seite 275
... comedies are the resolutions fully harmoni- ous , free of coercion or clumsiness . The Taming of the Shrew is often marked off from the mature comedies as an early farce , a failed romantic comedy , because men initiate and control the ...
... comedies are the resolutions fully harmoni- ous , free of coercion or clumsiness . The Taming of the Shrew is often marked off from the mature comedies as an early farce , a failed romantic comedy , because men initiate and control the ...
Seite 276
... comedies can apparent- ly be differentiated from the problem comedies only because some comedies mask their coerciveness more effectively than others . Problem comedies such as Measure for Measure reveal more explicitly what is always ...
... comedies can apparent- ly be differentiated from the problem comedies only because some comedies mask their coerciveness more effectively than others . Problem comedies such as Measure for Measure reveal more explicitly what is always ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young