Philosophical Studies, Ausgabe 9Cath. University of America Press, 1918 |
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Seite 31
... creative act of being - not by ema- nation - from God , and their return , without being absorbed , to Him as their final cause or end . ' ( Ibid . ) The precise position of art is that it copies ' at an infinite distance , of course ...
... creative act of being - not by ema- nation - from God , and their return , without being absorbed , to Him as their final cause or end . ' ( Ibid . ) The precise position of art is that it copies ' at an infinite distance , of course ...
Seite 33
... creative act of God - an imitation of the first cycle men- tioned above , of the productive activity of the Creator ( xix 422 ) . No wonder then that the artistic genius is considered by all to be ' the sublimest , the most beautiful ...
... creative act of God - an imitation of the first cycle men- tioned above , of the productive activity of the Creator ( xix 422 ) . No wonder then that the artistic genius is considered by all to be ' the sublimest , the most beautiful ...
Seite 40
... creative act that is ex- pressed in the formula ' Being - God - creates existences , ' and ' will be higher or lower as it takes this act , so to speak , on the side of being or on that of existences , and imitates the divine act in its ...
... creative act that is ex- pressed in the formula ' Being - God - creates existences , ' and ' will be higher or lower as it takes this act , so to speak , on the side of being or on that of existences , and imitates the divine act in its ...
Seite 54
... vision of the artist , that has given to artistic produc- tion the term creative . This point is emphasized strongly by Brownson , who makes it a distinguishing feature of art 54 THE CRITICAL PRINCIPLES OF ORESTES A. BROWNSON.
... vision of the artist , that has given to artistic produc- tion the term creative . This point is emphasized strongly by Brownson , who makes it a distinguishing feature of art 54 THE CRITICAL PRINCIPLES OF ORESTES A. BROWNSON.
Seite 56
... creative art since the scope left to expressing himself is reduced to a minimum . Even in portrait painting , where the artist cannot well select the object to be painted , he is not satisfied with copying mere externals . He fixes in ...
... creative art since the scope left to expressing himself is reduced to a minimum . Even in portrait painting , where the artist cannot well select the object to be painted , he is not satisfied with copying mere externals . He fixes in ...
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Häufige Begriffe und Wortgruppen
aesthetic principles agree with Brownson analysis of beauty appeal art xix artistic activity artistic genius artistic intuition beautiful xix beholders Biographia Literaria Brother Azarias Catholic common concept considered creative critic Croce Doctor of Philosophy Douglas Ainslie Dublin Review eral Essays essence of art ethics Everyman's Library exists exterior form external form fact faculty false form of art Francis Thompson give Hence higher human interest human nature human race Ibid idea ideal identical Imagist imitation individual influence inseparable inspiration instinctive intellect internal expression judge judgment latter literary artist Lyrical Ballads mankind means mental vision merely mind mission of literature moral object ontological ordinary persons philosophy poet poetry positive presence of artistic production prose question reader reason relation religious novel Review says sense sensibility sentiments social society soul spirit spiritual worthiness supernatural theory thought tion true art truth tuition words writer