The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day

actual appears attempt become begins Caleb Williams century characters claims clearly comes complex concerned connexion contemporary continuing conventional course critical dark deal death described doubt Dracula early effect elements English experience eyes fact fear feeling figure forces Frankenstein further ghost Gothic fiction hand hero horror human imagination important individual influence interest James kind largely later least less Lewis literary living London look means Melmoth merely mind moral mysterious narrative nature needs never night novel original particular partly past perhaps person political popular possible precisely present principal problem produce psychological question Radcliffe reader reading reason references relation repression romance says scene seems seen sense sexual situation social society story structure suggests supernatural symbolic takes terror themes things tradition turn Udolpho whole writers