Modernism and Music: An Anthology of Sources
If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.
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2 Testing the Boundaries between Speech and Music
3 Testing the Boundaries between the Visual Arts and Music
4 The New Music Theater
5 Fuller Universes of Music
The TwelveTone Method
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absolute music Adorno aesthetic Alban Berg Antheil Arnold Schoenberg artiﬁcial artistic ballet become Beethoven Berg called century chords color composer composer’s composition concept dance Debussy deﬁned deﬁnite difﬁcult Dionysus dissonance drama Eisler elements emotion essay European example experience expression Expressionism Expressionist feeling ﬁeld ﬁgure ﬁlm ﬁnally ﬁnd ﬁrst George Antheil German harmony Harry Partch hear Hindemith human idea Igor Stravinsky inﬁnite inﬂuence instruments jazz Kurt Weill language liar liar liar liar liar listener means melody modern Modernist movement music theater musicians nature Negro Neoclassicism Nietzsche noises notes object one’s opera orchestra painter painting Partch performance piano piece play poem poet poetry possible Press reﬂected rhythm rhythmic Rite of Spring seems sense signiﬁcant singing Sonata song sort sound Strauss Stravinsky style Surrealism Symphony T. S. Eliot theme thing tion tonality tone trans twelve-tone University Wagner Weill words write wrote York