Female Mourning in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear
Ashgate Publishing, Ltd., 2006 - 254 Seiten
The author looks at how the spectral resurrections of classical Marian pity in the plays of Francis Beaumont, John Fletcher, Thomas Kyd, William Shakespeare and John Webster help to work out the cultural trauma of the Reformation.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Female Mourning and Tragedy in Medieval English Drama
Resistant Female Grief in the Lazarus Plays
Maternal Mourning and Tragedy in the Nativity and Passion Plays
Residual Lament in the Resurrection Plays
Deranging Female Lament in Renaissance Tragedy
Constance and the Claims of Passion
Mourning and Communal Memory in Shakespeares Richard III
Andere Ausgaben - Alle anzeigen
Female Mourning and Tragedy in Medieval and Renaissance English Drama: From ...
Eingeschränkte Leseprobe - 2017
action appears argues audience become believe body burial Catholic Chester Christ Christian church compassion Constance continued contrast cries cultural curses cycle dead death drama early modern echoes embody emotional England English eschatology excessive expression faith female female mourning final funeral grief grieving Hamlet heart human husband Jesus John King Lady lament Lazarus Lear lines living lord loss Magdalene's Mary Magdalene Mary's meaning medieval medieval English memory mothers mourner mourning mourning women N-Town nature notes observes once opening Ophelia Passion past performance play points political practice prayers present procession Queen Reformation Renaissance response Resurrection revenge Richard ritual role scene seems sense sermon Shakespeare's shows sisters social sorrow soul stage suffering suggests tears tells thou tomb Towneley tradition tragedy tragic turn University Virgin voice wailing weeping widow woman women York þat