To see it rise thus joyous from its dreams,
The fresh and radiant Earth. The hoary grove
OH! foster-nurse of man's abandon'd glory,
Since Athens, its great mother, sunk in splendor;
Thou shadowest forth that mighty shape in story,
As ocean its wreck'd fanes, severe yet tender:
The light-invested angel Poesy
Was drawn from the dim world to welcome thee.
Wax'd green-and flowers burst forth like starry By loftiest meditations; marble knew
And thou in painting didst transcribe all taught
The grass in the warm sun did start and move,
And sea-buds burst under the waves serene:-
How many a one, though none be near to love,
Loves then the shade of his own soul, half seen
In any mirror-or the spring's young minions,
The winged leaves amid the copses green;-
How many a spirit then puts on the pinions
Of fancy, and outstrips the lagging blast,
And his own steps-and over wide dominions
Sweeps in his dream-drawn chariot, far and fast,
More fleet than storms-the wide world shrinks below
When winter and despondency are past.
The sculptor's fearless soul-and as he wrought,
The grace of his own power and freedom grew.
And more than all, heroic, just, sublime
Thou wert among the false-was this thy crime?
Yes; and on Pisa's marble walls the twine
Of direst weeds hangs garlanded-the snake
Inhabits its wreck'd palaces;-in thine
A beast of subtler venom now doth make
Its lair, and sits amid their glories overthrown,
And thus thy victim's fate is as thine own.
*This fragment refers to an event, told in Sismondi's Histoire des Républiques Italiennes, which occurred du duced it to a province. The opening stanzas are addressed ring the war when Florence finally subdued Pisa, and reto the conquering city.
The sweetest flowers are ever frail and rare,
And love and freedom blossom but to wither;
And good and ill like vines entangled are,
So that their grapes may oft be pluck'd together;-
Divide the vintage ere thou drink, then make
Thy heart rejoice for dead Mazenghi's sake.
No record of his crime remains in story,
But if the morning bright as evening shone,
It was some high and holy deed, by glory
Pursued into forgetfulness, which won
From the blind crowd he made secure and free
The patriot's meed, toil, death, and infamy.
For when by sound of trumpet was declared
A price upon his life, and there was set
A penalty of blood on all who shared
So much of water with him as might wet
His lips, which speech divided not-he went
Alone, as you may guess, to banishment.
Amid the mountains, like a hunted beast,
He hid himself, and hunger, cold, and toil,
Month after month endured; it was a feast
Whene'er he found those globes of deep-red gold
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.
And in the roofless huts of vast morasses,
Deserted by the fever-stricken serf,
All overgrown with reeds and long rank grasses,
And hillocks heap'd of moss-inwoven turf,
And where the huge and speckled aloe made
Rooted in stones, a broad and pointed shade,
He housed himself. There is a point of strand
Near Vada's tower and town; and on one side
The treacherous marsh divides it from the land,
Shadow'd by pine and ilex forests wide,
And on the other creeps eternally,
Through muddy weeds, the shallow, sullen sea.
Naples, 1818.
THE WOODMAN AND THE NIGHTINGALE.
A WOODMAN whose rough heart was out of tune
(I think such hearts yet never came to good)
Hated to hear, under the stars or moon,
One nightingale in an interfluous wood
Satiate the hungry dark with melody;—
And as a vale is water'd by a flood,
Or as the moonlight fills the open sky
Struggling with darkness-as a tuberose
Peoples some Indian dell with scents which lie
Of the circumfluous waters,-every sphere
And every flower and beam and cloud and wave,
And every wind of the mute atmosphere,
And every beast stretch'd in its rugged cave, And every bird lull'd on its mossy bough, And every silver moth fresh from the grave,
Which is its cradle-ever from below Aspiring like one who loves too fair, too far To be consumed within the purest glow
Of one serene and unapproached star, As if it were a lamp of earthly light, Unconscious, as some human lovers are,
Itself how low, how high beyond all height
The heaven where it would perish!-and every for
That worshipp'd in the temple of the night
Was awed into delight, and by the charm
Girt as with an interminable zone,
Whilst that sweet bird, whose music was a storm
Of sound, shook forth the dull oblivion
Out of their dreams; harmony became love
In every soul but one-
And so this man return'd with axe and saw At evening close from killing the tall treen, The soul of whom by nature's gentle law
Was each a wood-nymph, and kept ever green The pavement and the roof of the wild copse, Chequering the sunlight of the blue serene
With jagged leaves, and from the forest tops Singing the winds to sleep-or weeping oft Fast showers of aerial water-drops
Into their mother's bosom, sweet and soft, Nature's pure tears which have no bitterness; Around the cradles of the birds aloft
They spread themselves into the loveliness
Of fan-like leaves, and over pallid flowers
Hang like moist clouds-or, where high branche
kiss,
Make a green space among the silent bowers.
Like a vast fane in a metropolis,
Surrounded by the columns and the towers
All overwrought with branch-like traceries In which there is religion-and the mute
Like clouds above the flower from which they rose, Persuasion of unkindled melodies,
The singing of that happy nightingale
In this sweet forest, from the golden close
Of evening, till the star of dawn may fall,
Was interfused upon the silentness;
The folded roses and the violets pale
Heard her within their slumbers, the abyss Of heaven with all its planets; the dull ear Of the night-cradled earth; the loneliness
Odors and gleams and murmurs, which the lute
Of the blind pilot-spirit of the blast
Stirs as it sails, now grave and now acute,
Wakening the leaves and waves ere it has past
To such brief unison as on the brain
One tone, which never can recur, has cast,
One accent never to return again.
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