Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 203
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. powerful speeches uttered by Lear in his madness . In both plays occur repeated comparisons between man and the beasts ; the idea that " the strain of man's bred out ... King Lear 203.
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. powerful speeches uttered by Lear in his madness . In both plays occur repeated comparisons between man and the beasts ; the idea that " the strain of man's bred out ... King Lear 203.
Seite 207
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. cause the mere physical horror of such a spectacle would in the theater be a sensation so violent as to overpower the purely tragic emotions , and therefore the ... King Lear 207.
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. cause the mere physical horror of such a spectacle would in the theater be a sensation so violent as to overpower the purely tragic emotions , and therefore the ... King Lear 207.
Seite 431
... King Lear, 217-8 Moral order in tragedy, idea of, 31, 35-41 Moulton, R. G., 41 Negro? Othello a, 166-8 Opening scene in tragedy, 44-5 Ophelia, 21, 57, 97, 135-9, 170, 332. See Hamlet Oswald, 247, 380-1 Othello, exposition, 45: conflict ...
... King Lear, 217-8 Moral order in tragedy, idea of, 31, 35-41 Moulton, R. G., 41 Negro? Othello a, 166-8 Opening scene in tragedy, 44-5 Ophelia, 21, 57, 97, 135-9, 170, 332. See Hamlet Oswald, 247, 380-1 Othello, exposition, 45: conflict ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words