Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 23
... believe most readers would have to search painfully for instances . It is , further , frequently easy to see the dramatic inten- tion of an accident ; and some things which look like ac- cidents have really a connection with character ...
... believe most readers would have to search painfully for instances . It is , further , frequently easy to see the dramatic inten- tion of an accident ; and some things which look like ac- cidents have really a connection with character ...
Seite 361
... believe that he may have done so ; but I find it very hard to believe that he produced this impossible situa- tion without knowing it . It is one thing to read a drama or see it , quite another to construct and compose it , and he ap ...
... believe that he may have done so ; but I find it very hard to believe that he produced this impossible situa- tion without knowing it . It is one thing to read a drama or see it , quite another to construct and compose it , and he ap ...
Seite 373
... believe that she did think of it will of course also be- lieve that she suspected Iago . But in addition to other diffi- culties , they will have to suppose that her astonishment , when Othello at last mentioned the handkerchief , was ...
... believe that she did think of it will of course also be- lieve that she suspected Iago . But in addition to other diffi- culties , they will have to suppose that her astonishment , when Othello at last mentioned the handkerchief , was ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words