Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 71
... called tragedies , but certainly are not comedies in the same sense as As You Like It or the Tempest . These seven years , ac- 1 It may be convenient to some readers for the purposes of this book to have by them a list of Shakespeare's ...
... called tragedies , but certainly are not comedies in the same sense as As You Like It or the Tempest . These seven years , ac- 1 It may be convenient to some readers for the purposes of this book to have by them a list of Shakespeare's ...
Seite 74
... called villainous or horrible . Consider , finally , the impression left on us at the close of each . It is remarkable that this impression , though very strong , can scarcely be called purely tragic ; or , if we call it so , at least ...
... called villainous or horrible . Consider , finally , the impression left on us at the close of each . It is remarkable that this impression , though very strong , can scarcely be called purely tragic ; or , if we call it so , at least ...
Seite 167
... called an Ethiopian , is called a Barbary horse , and is said to be going to Mauritania . All this would be of importance if we had reason to be- lieve that Shakespeare shared our ideas , knowledge and terms . Otherwise it proves ...
... called an Ethiopian , is called a Barbary horse , and is said to be going to Mauritania . All this would be of importance if we had reason to be- lieve that Shakespeare shared our ideas , knowledge and terms . Otherwise it proves ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words