Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 33
... comes a monstrous flood which spreads over a kingdom . And whatsoever he dreams of doing , he achieves that which he least dreamed of , his own destruction . All this makes us feel the blindness and helplessness of man . Yet by itself ...
... comes a monstrous flood which spreads over a kingdom . And whatsoever he dreams of doing , he achieves that which he least dreamed of , his own destruction . All this makes us feel the blindness and helplessness of man . Yet by itself ...
Seite 295
... comes a sound of knocking . It should be perfectly familiar to him ; but he knows not whence , or from what world , it comes . He looks down at his hands , and starts violently : " What hands are here ? " For they seem alive , they move ...
... comes a sound of knocking . It should be perfectly familiar to him ; but he knows not whence , or from what world , it comes . He looks down at his hands , and starts violently : " What hands are here ? " For they seem alive , they move ...
Seite 337
... comes from Wittenberg . ( 3 ) Rosencrantz and Guildenstern are sent for , to wean Hamlet from his melancholy and to worm his secret out of him , because he has known them from his youth , and is fond of them ( 11 , ii , 1 ff . ) . They come ...
... comes from Wittenberg . ( 3 ) Rosencrantz and Guildenstern are sent for , to wean Hamlet from his melancholy and to worm his secret out of him , because he has known them from his youth , and is fond of them ( 11 , ii , 1 ff . ) . They come ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words