Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 68
... doubt , were not perceived to be defects . But though it is quite probable that in regard to one or two kinds of imperfection ( such as the super- abundance of " gnomic " passages ) Shakespeare himself erred thus ignorantly , it is very ...
... doubt , were not perceived to be defects . But though it is quite probable that in regard to one or two kinds of imperfection ( such as the super- abundance of " gnomic " passages ) Shakespeare himself erred thus ignorantly , it is very ...
Seite 112
... doubt , of which there has not been the slightest trace before , is no genuine doubt ; it is an unconscious fiction , an excuse for his delay - and for its continuance . A night passes , and the day that follows it brings the crisis ...
... doubt , of which there has not been the slightest trace before , is no genuine doubt ; it is an unconscious fiction , an excuse for his delay - and for its continuance . A night passes , and the day that follows it brings the crisis ...
Seite 180
... doubt of its possibility . But there are certain ob- servations and further inferences which , apart from confi- dence in Shakespeare , would remove this doubt . It is to be observed , first , that Iago was able to find a certain relief ...
... doubt of its possibility . But there are certain ob- servations and further inferences which , apart from confi- dence in Shakespeare , would remove this doubt . It is to be observed , first , that Iago was able to find a certain relief ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words