Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite xi
... drama in general . No attempt will be made to compare him with other writers . I shall leave un- touched , or merely glanced at , questions regarding his life and character , the development of his genius and art , the genuine- ness ...
... drama in general . No attempt will be made to compare him with other writers . I shall leave un- touched , or merely glanced at , questions regarding his life and character , the development of his genius and art , the genuine- ness ...
Seite 64
... drama ? Who can doubt that at the Mermaid Shakespeare heard from Jonson's lips much more censure of his offenses against " art " than Jonson ever confided to Drummond or to paper ? And is it not most probable that those battles between ...
... drama ? Who can doubt that at the Mermaid Shakespeare heard from Jonson's lips much more censure of his offenses against " art " than Jonson ever confided to Drummond or to paper ? And is it not most probable that those battles between ...
Seite 151
... drama of modern life ; when it first appeared it was a drama almost of contemporary life , for the date of the Turk- ish attack on Cyprus is 1570. The characters come close to us , and the application of the drama to ourselves ( if the ...
... drama of modern life ; when it first appeared it was a drama almost of contemporary life , for the date of the Turk- ish attack on Cyprus is 1570. The characters come close to us , and the application of the drama to ourselves ( if the ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words