Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 116
... Evidently this act is intended to stand in sharp contrast with Hamlet's sparing of his enemy . The King would have been just as defenseless behind the arras as he had been on his knees ; but here Hamlet is already excited and in action ...
... Evidently this act is intended to stand in sharp contrast with Hamlet's sparing of his enemy . The King would have been just as defenseless behind the arras as he had been on his knees ; but here Hamlet is already excited and in action ...
Seite 143
... evidently put little reliance on their loyalty . He was no villain of force , who thought of winning his brother's crown by a bold and open stroke , but a cut- purse who stole the diadem from a shelf and put it in his pocket . He had ...
... evidently put little reliance on their loyalty . He was no villain of force , who thought of winning his brother's crown by a bold and open stroke , but a cut- purse who stole the diadem from a shelf and put it in his pocket . He had ...
Seite 385
... evidently addressed to the audience , two faults which are not in Shakespeare's way . ( 5 ) The lines are doggerel . Doggerel is not uncommon in the earliest plays ; there are a few lines even in the Merchant of Venice , a line and a ...
... evidently addressed to the audience , two faults which are not in Shakespeare's way . ( 5 ) The lines are doggerel . Doggerel is not uncommon in the earliest plays ; there are a few lines even in the Merchant of Venice , a line and a ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words