Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 31
... follows from them in regard to our present question . From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent - as , in that sense ...
... follows from them in regard to our present question . From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent - as , in that sense ...
Seite 112
... follows it brings the crisis . First takes place that interview from which the King is to learn whether disappointed love is really the cause of his nephew's lunacy . Hamlet is sent for ; poor Ophelia is told to walk up and down ...
... follows it brings the crisis . First takes place that interview from which the King is to learn whether disappointed love is really the cause of his nephew's lunacy . Hamlet is sent for ; poor Ophelia is told to walk up and down ...
Seite 393
... follow [ my advice to desert the King ] , since a fool gives it " ; and the last two lines of his song mean , " The knave who runs away follows the advice given by a fool ; but I , the fool , shall not follow my own advice by turning ...
... follow [ my advice to desert the King ] , since a fool gives it " ; and the last two lines of his song mean , " The knave who runs away follows the advice given by a fool ; but I , the fool , shall not follow my own advice by turning ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words