Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 81
Seite 64
... give advice about play acting . Why should we suppose that he could not give advice about playmaking ? Still Shakespeare , though in some considerable degree a " conscious " artist , frequently sins against art ; and if his sins were ...
... give advice about play acting . Why should we suppose that he could not give advice about playmaking ? Still Shakespeare , though in some considerable degree a " conscious " artist , frequently sins against art ; and if his sins were ...
Seite 104
... give his life to the duty of revenge ; and the rest of the story exhibits his vain efforts to fulfill this duty , his unconscious self - excuses and unavailing self - reproaches , and the tragic results of his delay . 4 " Melancholy ...
... give his life to the duty of revenge ; and the rest of the story exhibits his vain efforts to fulfill this duty , his unconscious self - excuses and unavailing self - reproaches , and the tragic results of his delay . 4 " Melancholy ...
Seite 185
... gives two reasons for his hatred . Othello has made Cassio lieutenant ; and he suspects , and has heard it re- ported ... give to Desdemona . So Iago kills Roderigo . Then for Desdemona : a fig's - end for her virtue ! but he has no ill ...
... gives two reasons for his hatred . Othello has made Cassio lieutenant ; and he suspects , and has heard it re- ported ... give to Desdemona . So Iago kills Roderigo . Then for Desdemona : a fig's - end for her virtue ! but he has no ill ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words