Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 89
... kind of Werther with a face like Shelley's and a voice like Mr. Tree's . And then we ask in tender pity , how could such a man perform the terrible duty laid on him ? How , indeed ! And what a foolish Ghost even to suggest such a duty ...
... kind of Werther with a face like Shelley's and a voice like Mr. Tree's . And then we ask in tender pity , how could such a man perform the terrible duty laid on him ? How , indeed ! And what a foolish Ghost even to suggest such a duty ...
Seite 127
... kind of play , like the fondness of the theatrical audience for it , diminished with time . But the main reason is surely that this tendency , as we see it in Hamlet , betokens a nimble- ness and flexibility of mind which is ...
... kind of play , like the fondness of the theatrical audience for it , diminished with time . But the main reason is surely that this tendency , as we see it in Hamlet , betokens a nimble- ness and flexibility of mind which is ...
Seite 325
... kind . It is to touch the heart with a sense of beauty and pathos , to open the springs of love and of tears . Shakespeare is loved for the sweetness of his humanity , and because he makes this kind of appeal with such irresistible ...
... kind . It is to touch the heart with a sense of beauty and pathos , to open the springs of love and of tears . Shakespeare is loved for the sweetness of his humanity , and because he makes this kind of appeal with such irresistible ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words